Step-by-step painting guide

Old Timers

A step-by-step painting guide by Richard Robinson

Learn to paint a classic Chevy truck, and lots more. I find this sort of nostalgic subject hard to pass by – call me sentimental. Follow me step by step as I show you the techniques I use to paint this classic scene of a 53 Chevy. Painting a consistent light effect, simplifying a background, lost and found edges and building up to crisp details are all demonstrated in the video. Enjoy!

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
"Old Timers" 13 x 13" Oil on Canvas by Richard Robinson.
"Old Timers" 13 x 13" Oil on Canvas by Richard Robinson.

Step 19Bumper and Light Reflections

How should I approach painting the reflections on the bumper?

When painting the bumper, notice that the top reflects a cool grey due to the sky, while the bottom reflects a warm grey from the light bouncing off the ground. Start by observing these subtle differences before adding details like the strip of light across the top. For more detailed guidance, visit the lesson page at https://mypaintingclub.com/lessons/71-Old-Timers.

What colors should I use for the number plate on the bumper?

The number plate on the bumper should be painted in a slightly darker grey compared to the rest of the bumper. This helps it stand out while still maintaining the overall reflective quality. For more tips on painting details like this, check out the full lesson at https://mypaintingclub.com/lessons/71-Old-Timers.

How do I paint the reflections on the car lights?

For the car lights, the top inside reflects the warmth of the ground, while the bottom reflects the cooler tones of the sky. This means the top should be warmer and the bottom cooler. Pay attention to these variations to capture the realistic look. You can explore more techniques in the lesson at https://mypaintingclub.com/lessons/71-Old-Timers.

What should I keep in mind when painting reflected lights?

When painting reflected lights, it's important to keep them in the shadows and avoid making them too light. Squint at your painting to ensure they don't pop out too much. It's better to start darker and lighten them if needed. For more insights, visit the lesson page at https://mypaintingclub.com/lessons/71-Old-Timers.

Summary & key takeaways

In this lesson, I set out to guide you through the process of painting 'Old Timers,' focusing on the balance between simplicity and detail. We started with a basic palette and a variety of brushes, emphasizing the importance of a straightforward approach to color and tools. The grid transfer method was introduced to help you accurately capture the proportions and details of your reference image, setting a strong foundation for your painting.

As we progressed, I encouraged you to explore the interplay of light and dark by mixing and applying the darkest darks and establishing the lightest lights. This contrast is crucial in defining the mood and depth of your painting. We also delved into color harmony and the importance of simplifying the background to keep the viewer's focus on the main subject. By the end of the lesson, I hope you feel more confident in making artistic choices that enhance your composition, such as adjusting color vibrancy and using gradation to add depth.

Remember, painting is as much about the journey as it is about the final piece. Each brushstroke is an opportunity to learn and grow as an artist. I hope this lesson has inspired you to experiment with new techniques and trust your creative instincts. Keep painting and enjoy the process!

Points to remember
  • Use a simple palette to focus on technique rather than color complexity.
  • The grid transfer method ensures accurate proportions and details.
  • Mix ultramarine blue and burnt sienna for a neutral dark.
  • Establish the lightest lights early to define your color range.
  • Adjust the vibrancy of colors to suit your artistic vision.
  • Simplify the background to emphasize the main subject.
  • Use gradation and blending to create depth and atmosphere.
  • Trust your instincts and enjoy the creative process.