Step-by-step painting guide

Last Light

A step-by-step painting guide by Richard Robinson

Learn to paint subtle greys versus vibrant colour. Follow me step by step as I show you the techniques I use to make subtle greys, glowing light and interesting texture with acrylics. This scene from Kinloch in the far south if New Zealand is the perfect subject to explore these powerful techniques.

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
"Last Light" 12x12" Acrylic on Canvas by Richard Robinson.
"Last Light" 12x12" Acrylic on Canvas by Richard Robinson.

Step 14Highlight Techniques and Impasto

How can I create a glowing effect with highlights in my painting?

To create a glowing effect with highlights, you can build up the highlight and then soften the edges using a palette knife and a dry brush. This technique helps to create a smooth transition and a soft glow. For more detailed guidance, you can explore the lesson on the sales page at https://mypaintingclub.com/lessons/82-Last-Light.

What is a good method to thicken highlights when using acrylic paints?

When using acrylic paints, you can thicken highlights by applying more paint, as acrylics don't have the natural bulk of oils. You can also use impasto mediums to add thickness or opt for thick body acrylic paints specifically in highlight areas. For more tips and techniques, visit the lesson at https://mypaintingclub.com/lessons/82-Last-Light.

What should I be cautious about when using thick body acrylic paints for highlights?

When using thick body acrylic paints for highlights, be aware that they tend to dry quite fast. It's best to apply them towards the end of your painting process to ensure you can work with them effectively. For additional strategies and insights, check out the lesson at https://mypaintingclub.com/lessons/82-Last-Light.

Summary & key takeaways

As we conclude this journey into capturing the 'Last Light', I hope you've discovered the magic of subtle warm and cool variations within your grays. This lesson was all about embracing the nuanced tones that the last light of the day offers, and how these can bring depth and realism to your paintings. From the initial sketch to the final details, each step was designed to help you see and paint these subtle shifts in color and light.

Throughout the process, we explored techniques like using burnt sienna for initial sketches, mixing ultramarine blue with burnt sienna for the darkest darks, and the importance of keeping your acrylics wet to achieve a soft, blended look. Each technique serves to enhance your ability to convey the mood and atmosphere of a scene bathed in the gentle glow of the setting sun.

I hope that as you continue your painting journey, you'll remember to play with color temperatures, keep your edges soft where needed, and allow yourself the freedom to experiment and adjust as you go. Painting is as much about the process as it is about the final piece, and each brushstroke is a step towards capturing the beauty of the world around you.

Points to remember
  • Experiment with warm and cool variations in your grays to add depth.
  • Use burnt sienna for initial sketches to establish warm, neutral bases.
  • Mix ultramarine blue with burnt sienna for deep, dark tones.
  • Keep your acrylics wet with a fine mist to achieve soft edges.
  • Introduce subtle color shifts to unify your painting.
  • Start with yellow as a base for greens to create natural transitions.
  • Use soft edges in the background to keep the focus on the foreground.
  • Paint quickly with acrylics to blend colors before they dry.