Step-by-step painting guide

Last Light

A step-by-step painting guide by Richard Robinson

Learn to paint subtle greys versus vibrant colour. Follow me step by step as I show you the techniques I use to make subtle greys, glowing light and interesting texture with acrylics. This scene from Kinloch in the far south if New Zealand is the perfect subject to explore these powerful techniques.

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
"Last Light" 12x12" Acrylic on Canvas by Richard Robinson.
"Last Light" 12x12" Acrylic on Canvas by Richard Robinson.

Step 6Shadow and Light Variation

Why did you use a greenish grey in the shadow area of the grass?

I used a greenish grey in the shadow area of the grass to help unify all the colors in the painting. By introducing some of that green into the other darker shadow areas along the beach, it creates a cohesive look across the painting. For more insights on color unification, you can explore the full lesson at https://mypaintingclub.com/lessons/82-Last-Light.

How do the shadows change as they move away from the log?

As the shadows move away from the log, they become lighter because more light from the sky is reflected into those areas. This gradual lightening of the shadows helps to create a sense of depth and realism in the painting. You can learn more about this technique by visiting the lesson at https://mypaintingclub.com/lessons/82-Last-Light.

Summary & key takeaways

As we conclude this journey into capturing the 'Last Light', I hope you've discovered the magic of subtle warm and cool variations within your grays. This lesson was all about embracing the nuanced tones that the last light of the day offers, and how these can bring depth and realism to your paintings. From the initial sketch to the final details, each step was designed to help you see and paint these subtle shifts in color and light.

Throughout the process, we explored techniques like using burnt sienna for initial sketches, mixing ultramarine blue with burnt sienna for the darkest darks, and the importance of keeping your acrylics wet to achieve a soft, blended look. Each technique serves to enhance your ability to convey the mood and atmosphere of a scene bathed in the gentle glow of the setting sun.

I hope that as you continue your painting journey, you'll remember to play with color temperatures, keep your edges soft where needed, and allow yourself the freedom to experiment and adjust as you go. Painting is as much about the process as it is about the final piece, and each brushstroke is a step towards capturing the beauty of the world around you.

Points to remember
  • Experiment with warm and cool variations in your grays to add depth.
  • Use burnt sienna for initial sketches to establish warm, neutral bases.
  • Mix ultramarine blue with burnt sienna for deep, dark tones.
  • Keep your acrylics wet with a fine mist to achieve soft edges.
  • Introduce subtle color shifts to unify your painting.
  • Start with yellow as a base for greens to create natural transitions.
  • Use soft edges in the background to keep the focus on the foreground.
  • Paint quickly with acrylics to blend colors before they dry.