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Online Painting Lesson

Expressive Skies - Front Lighting

with Richard Robinson

$0.00USD

Many landscape paintings miss this key ingredient

 

Your first step to enhancing your paintings with expressive skies

We'll focus on improving on photos for paintings, designing with your heart, understanding front lighting and painting towering clouds and warm light.

This is a small lesson from a larger course that I'm building, which will be called Painting Expressive Skies. I expect that to take me 6 months or more. I'm already three months into it. I thought it'd be nice for you to see this one for free, just to whet your appetite for painting expressive skies, and also just to get some feedback from you. If you have any constructive criticism, I'd love to hear from you.

This demo is in acrylics but it's fine for oils too.

Just 6 steps

I’ll guide you all the way.

 

Design

Our job as artists is to bring people's attention to what we find beautiful. In order to do that you need to first identify what those things are for you, and then enhance or exaggerate them. In this one it was towering clouds and warm light.

 

Preparing the surface

It's worth putting in the time to get your painting surface ready to work on. This is an MDF board with 3 coats of acrylic gesso primer and a light toned base coat of yellow ochre plus white. This will help warm the painting and shimmer against the blue-greys.

 

Sky

The sky gradation is the first building block. We can add more warmth into the sky gradation to enhance the feel of the sunset light.

 

Expressive Clouds

Here's your chance to practice making more variety in your paintings, which makes them more interesting to paint and more interesting to view. 

Create variety in:
Shapes - big vs small, complex vs simple.
Colour - warm vs cool, vibrant vs greyed.
Edges - soft vs hard.
Texture - smooth vs rough, thin vs thick.

You need all that variety to keep things interesting and expressive. 

 

Foreground Detail

Adding small details in the foreground makes the clouds appear even larger. So by painting one, you're enhancing the other. If you want the style to remain painterly and expressive throughout, you can create the detail using texture, rather than tiny descriptive brushstrokes.

 

Finshing Touches

A fine signing brush can add a few crisp details like seagulls and floatsam on the beach to add a touch of realism and scale.

 

I'll take you step by step through this whole rich process and you can choose which parts you'd like to try out in your own work.

 

Enjoy!

 

Step-by-step guide

Follow along away from the screen — this lesson comes with a printable step-by-step chapter and an interactive guide you can read online.

Download the step-by-step PDF guide Read the interactive guide →

Learn About

  • The 3 building blocks of expressive skies
  • Designing with your heart
  • Preparing an acrylic surface to make it easier to paint
  • Painting gradations
  • Painting clouds with expressive brushwork and character
  • Creating detail with texture

When does the lesson start?

Whenever you’re ready! The lesson is available online any time, and your access to the lesson never expires.

How long is this lesson available to me?

As long as you need! Your access never expires, so you can come back again and again.

Can I download this video?

Sorry, no you can’t download the video. This is to avoid piracy. You’ll always be able to view the video on this site though.

Course Info

  • Beginner to Intermediate
  • Acrylic or Oils
  • 42min online video
  • Bonus resources, photos
  • Full self critique system
  • Unlimited Access

Teacher

Richard is a talented full time artist, who loves painting and teaching.

Richard Robinson
Email Bio
See Lessons
Richard Robinson
Meet your teacher

Richard Robinson

Hi I’m Richard. I’ve been painting my whole life and back in 2001 I traded my graphic design career for the humble life of a full time artist. I love painting, and as it turns out, I love teaching too.

Nowadays I balance my life between parenting, painting, surfing, travelling and teaching. My work is regularly featured in international art magazines, in galleries in New Zealand and America, on TV and in my Mum’s house.

I give outdoor painting workshops in interesting spots around this beautiful planet of ours and love encouraging people to paint. Two of my favourite artists are John Singer Sargent and Joaquín Sorolla.

My painting website: www.nzpainter.com

I’d love to be your new teacher.

Bob Mitchener

Richard is a master artist with an exceptional skill in identifying and communicating key factors to making successful paintings. I have found his video workshops an excellent resource for improving my own work.

Bob Mitchener

Teacher and student paintings

Teacher Painting

Tropical Beach 12x12" Acrylic on Board

Teacher Painting

Tropical Beach 12x12" Acrylic on Board

Tropical Beach2 12x12" Acrylic on Board

Teacher Painting

Tropical Beach2 12x12" Acrylic on Board

Photo Resource

Resource

Photo Resource

Expressive Skies

Student Painting

Expressive Skies

Artist: József

Front lighting Cloud Study

Student Painting

Front lighting Cloud Study

Artist: Jeremy Elder

Sky, Sea, Beach - Acrylic on paper, 30x40 cm.

Student Painting

Sky, Sea, Beach - Acrylic on paper, 30x40 cm.

Artist: Adana VIRNA

‘Expressive Skies’-limited colour palette

Student Painting

‘Expressive Skies’-limited colour palette

Artist: Barbara Magor

Expressive sky’s with Richard Robinson , 12x11” oil on panel , wet on wet , Mark Price

Student Painting

Expressive sky’s with Richard Robinson , 12x11” oil on panel , wet on wet , Mark Price

Artist: Mark Price

Expressive Skies after Richard Robinson, 12x12 acrylic on hardboard

Student Painting

Expressive Skies after Richard Robinson, 12x12 acrylic on hardboard

Nice work, Rachel. You have executed a very carefully observed painting with good drawing skills and fine colour perception. Your cloud is particularly interesting in all of its subtle transitions and details. Just a couple of points to think about. You've made the bases your foliage very clear cut against the sand which gives the appearance of the day man made thing, and a bit cut out rather than joined to the sand. To avoid that look simply add some smudgy darkness around the bases and it will look more natural. Secondly, if you are trying to loosen up your painting style I suggest you use much larger brushes. Good job.

Expressive Skies 11 x 14 Oil on Linen

Student Painting

Expressive Skies 11 x 14 Oil on Linen

Some lovely angelic clouds there, Louise! Very uplifting. I almost expected Jesus to be coming around the corner on a donkey. They are particularly gorgeous shapes with a nice variety of soft and hard edges. I like the colour transitions you have from mauves to pinks to yellows which makes them all the more beautiful and interesting. The grasses have come up very well - those fine dark accents add a lot of realism in an elegant way. The only thing I would like to see different is the palm trees done with a little more panache rather than careful drawing. Here is a great lesson for painting palm trees: https://mypaintingclub.com/lessons/245-Tropical-Island

"Expressive Skies" second attempt at the cloud, in acrylics, by Eric Hillmer, Toronto. ON, Canada.

Student Painting

"Expressive Skies" second attempt at the cloud, in acrylics, by Eric Hillmer, Toronto. ON, Canada.

Hi Eric, the large cloud shape this second attempt is an improvement on the initial one. What's great about it is that it has created a large flat shape for the palm trees to strut their stuff on. You've done great with the bushes and grasses too. It does look like you are having trouble creating shapes with soft edges. With acrylics it is difficult to produce these soft edges once the paint has dried but there are a few things you can do to keep the acrylic paint wet for longer. 1. Use more paint. Big piles of paint on your palette will dry much more slowly. 2. Mist your palette and painting everything few minutes with a fine water spray bottle. 3. Use re-wettable acrylics like Chroma interactive acrylics or Golden Open acrylics. 4. Use a retarder medium to slow the drying time. 5. Plan your colour transitions through big shapes and premix those colours on your palette. If those colours are dissimilar use separate brushes for each colour. 6. If using a stretched canvas on a frame you can spray water on the back of the canvas to extend drying time. 7. Plan each section you are going to paint and execute it quickly. I hope that helps.

"Expressive Skies" in acrylics by Eric Hillmer, Toronto, ON, Canada.

Student Painting

"Expressive Skies" in acrylics by Eric Hillmer, Toronto, ON, Canada.

Artist: Eric Hillmer

Expressive Skies 12x12 Oil on Canvas

Student Painting

Expressive Skies 12x12 Oil on Canvas

Nice design, Nancy. Very expressive! I love the sharp repeated shapes you have employed in the clouds and the beach which brings I sense of design unity to the whole painting. Nicely done. This new lesson talks about this concept in more detail: https://mypaintingclub.com/lessons/258-The-Dancing-Pine With all of that impasto paint in the cloud I would want to see thick impasto in the foreground to balance that out as well otherwise the cloud seems to come closer than the foreground.

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Product Reviews

The front lighting expressive skies lesson was a great start. Towering clouds and warm light worked well.
Clara Dubois
So glad to have taken this lesson. This helped me enhance skies with better design and light effects.
Isaac Moreau
Learned a lot. Inspiring introduction to expressive skies. Leila Moreau.
Leila Moreau
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