Teacher
Richard is a talented full time artist, who loves painting and teaching.

A friendly place to learn at your own pace.
with Richard Robinson

We'll focus on improving on photos for paintings, designing with your heart, understanding front lighting and painting towering clouds and warm light.
This is a small lesson from a larger course that I'm building, which will be called Painting Expressive Skies. I expect that to take me 6 months or more. I'm already three months into it. I thought it'd be nice for you to see this one for free, just to whet your appetite for painting expressive skies, and also just to get some feedback from you. If you have any constructive criticism, I'd love to hear from you.
This demo is in acrylics but it's fine for oils too.
I’ll guide you all the way.

Our job as artists is to bring people's attention to what we find beautiful. In order to do that you need to first identify what those things are for you, and then enhance or exaggerate them. In this one it was towering clouds and warm light.

It's worth putting in the time to get your painting surface ready to work on. This is an MDF board with 3 coats of acrylic gesso primer and a light toned base coat of yellow ochre plus white. This will help warm the painting and shimmer against the blue-greys.

The sky gradation is the first building block. We can add more warmth into the sky gradation to enhance the feel of the sunset light.

Here's your chance to practice making more variety in your paintings, which makes them more interesting to paint and more interesting to view.
Create variety in:
Shapes - big vs small, complex vs simple.
Colour - warm vs cool, vibrant vs greyed.
Edges - soft vs hard.
Texture - smooth vs rough, thin vs thick.
You need all that variety to keep things interesting and expressive.

Adding small details in the foreground makes the clouds appear even larger. So by painting one, you're enhancing the other. If you want the style to remain painterly and expressive throughout, you can create the detail using texture, rather than tiny descriptive brushstrokes.

A fine signing brush can add a few crisp details like seagulls and floatsam on the beach to add a touch of realism and scale.
I'll take you step by step through this whole rich process and you can choose which parts you'd like to try out in your own work.
Enjoy!
Whenever you’re ready! The lesson is available online any time, and your access to the lesson never expires.
As long as you need! Your access never expires, so you can come back again and again.
Sorry, no you can’t download the video. This is to avoid piracy. You’ll always be able to view the video on this site though.
Richard is a talented full time artist, who loves painting and teaching.

Hi I’m Richard. I’ve been painting my whole life and back in 2001 I traded my graphic design career for the humble life of a full time artist. I love painting, and as it turns out, I love teaching too.
Nowadays I balance my life between parenting, painting, surfing, travelling and teaching. My work is regularly featured in international art magazines, in galleries in New Zealand and America, on TV and in my Mum’s house.
I give outdoor painting workshops in interesting spots around this beautiful planet of ours and love encouraging people to paint. Two of my favourite artists are John Singer Sargent and Joaquín Sorolla.
My painting website: www.nzpainter.com
I’d love to be your new teacher.
Richard is a master artist with an exceptional skill in identifying and communicating key factors to making successful paintings. I have found his video workshops an excellent resource for improving my own work.
Tropical Beach 12x12" Acrylic on Board
Tropical Beach2 12x12" Acrylic on Board
Photo Resource
Expressive Skies
Artist: József
Front lighting Cloud Study
Artist: Jeremy Elder
Sky, Sea, Beach - Acrylic on paper, 30x40 cm.
Artist: Adana VIRNA
‘Expressive Skies’-limited colour palette
Artist: Barbara Magor
Expressive sky’s with Richard Robinson , 12x11” oil on panel , wet on wet , Mark Price
Artist: Mark Price
Expressive Skies after Richard Robinson, 12x12 acrylic on hardboard
Nice work, Rachel. You have executed a very carefully observed painting with good drawing skills and fine colour perception. Your cloud is particularly interesting in all of its subtle transitions and details. Just a couple of points to think about. You've made the bases your foliage very clear cut against the sand which gives the appearance of the day man made thing, and a bit cut out rather than joined to the sand. To avoid that look simply add some smudgy darkness around the bases and it will look more natural. Secondly, if you are trying to loosen up your painting style I suggest you use much larger brushes. Good job.
Expressive Skies 11 x 14 Oil on Linen
Some lovely angelic clouds there, Louise! Very uplifting. I almost expected Jesus to be coming around the corner on a donkey. They are particularly gorgeous shapes with a nice variety of soft and hard edges. I like the colour transitions you have from mauves to pinks to yellows which makes them all the more beautiful and interesting. The grasses have come up very well - those fine dark accents add a lot of realism in an elegant way. The only thing I would like to see different is the palm trees done with a little more panache rather than careful drawing. Here is a great lesson for painting palm trees: https://mypaintingclub.com/lessons/245-Tropical-Island
"Expressive Skies" second attempt at the cloud, in acrylics, by Eric Hillmer, Toronto. ON, Canada.
Hi Eric, the large cloud shape this second attempt is an improvement on the initial one. What's great about it is that it has created a large flat shape for the palm trees to strut their stuff on. You've done great with the bushes and grasses too. It does look like you are having trouble creating shapes with soft edges. With acrylics it is difficult to produce these soft edges once the paint has dried but there are a few things you can do to keep the acrylic paint wet for longer. 1. Use more paint. Big piles of paint on your palette will dry much more slowly. 2. Mist your palette and painting everything few minutes with a fine water spray bottle. 3. Use re-wettable acrylics like Chroma interactive acrylics or Golden Open acrylics. 4. Use a retarder medium to slow the drying time. 5. Plan your colour transitions through big shapes and premix those colours on your palette. If those colours are dissimilar use separate brushes for each colour. 6. If using a stretched canvas on a frame you can spray water on the back of the canvas to extend drying time. 7. Plan each section you are going to paint and execute it quickly. I hope that helps.
"Expressive Skies" in acrylics by Eric Hillmer, Toronto, ON, Canada.
Artist: Eric Hillmer
Expressive Skies 12x12 Oil on Canvas
Nice design, Nancy. Very expressive! I love the sharp repeated shapes you have employed in the clouds and the beach which brings I sense of design unity to the whole painting. Nicely done. This new lesson talks about this concept in more detail: https://mypaintingclub.com/lessons/258-The-Dancing-Pine With all of that impasto paint in the cloud I would want to see thick impasto in the foreground to balance that out as well otherwise the cloud seems to come closer than the foreground.
Not loving your painting lessons? No worries!
If it’s not the right fit, we’ll give you a full refund within 30 days of purchase - no questions asked.
When you purchase a DVD you also get online access to the same lesson, including any lesson resources like photos, downloadable notes and access to upload your painting to the student gallery.
That's why you need to make a password when you purchase a DVD, so you can access the online content as well. Enjoy!
