Step-by-step painting guide

The Old Mill House

A step-by-step painting guide by Richard Robinson

Welcome to the enchanting Glen Orkey, nestled in the Dark River Valley, where the old mill house stands as a testament to time. Today, I have the pleasure of painting this captivating scene, complete with an old truck partially buried in gravel and grass, under the warm embrace of the sun. This setting offers a rich tapestry of textures and colors, making it an ideal subject for our painting journey. I am thrilled to be here with John Crump, a renowned painter whose expertise has been invaluable during my stay. Using all of John's equipment, from his fine Belgian linen canvas to his palette of colors and brushes, I aim to immerse myself in his painting technique. This chapter captures my learning experience, as John guides me with insightful feedback, helping me refine my skills. As we explore this scene together, you'll discover how to adapt and enhance a landscape to create a compelling composition. Let's embark on this creative adventure and see what we can achieve under the brilliant Glen Orkey sun.

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
"The Old Mill House" - 15x15" - Oil on Linen
"The Old Mill House" - 15x15" - Oil on Linen

Step 22Painting the Truck

Step 22 — Painting the Truck (video frame from the lesson)

Mix the Base Color

Use Venetian red and tone it back with green for the truck's base color. Adjust the mixture by adding white until you achieve a nondescript grey. This will serve as the foundation for the truck's body.

Add Light and Shadow

Warm the grey slightly at the bottom to reflect light. As you move up towards the sky, incorporate more blue and white to create a lighter tone. Work around existing dark areas to maintain shadow depth.

Create Soft Shadows

Brush down into the shadow areas to soften them, ensuring they appear in shade. Extend the shadow lines for a longer, softer effect, which enhances the truck's dimensionality.

Define the Bumper and Edges

Use grey on the bumper, brushing grass up into it to soften the edge. Add a lighter tone on the front to highlight the truck's form and separate it from the background.

Highlight with Care

Apply a bright highlight to the top of the truck to bring it forward and distinguish it from the old house. Use thick paint for a strong effect, but avoid too many shiny highlights to maintain the truck's aged appearance.

Pro tipApply highlights sparingly to suggest an aged, rather than new, vehicle.

Summary & key takeaways

Embark on your painting journey with the Old Mill House by first preparing your materials. Use Liquin medium to ensure smooth paint application and sketch your composition lightly, focusing on the perspective and placement of your main subjects. As you lay down the initial lines, remember to keep them thin to avoid interference with subsequent layers.

As you progress, emphasize the focal points of your painting, such as the house and the truck, by reducing detail in the background. Carefully plan your composition, ensuring elements like the truck stand out through strategic use of light and shadow. Simplify your scene by avoiding central placement of major lines and maintaining a balance between light and dark areas.

Finish your painting by refining colors and adding details. Use high-quality paints for vibrant hues and consider the effects of reflected light to enhance realism. Prepare your canvas to avoid stark white areas, and use soft edges in the background to keep the focus on your main subjects. Learn from other artists and continuously refine your technique to grow as a painter.

Points to remember
  • Always dip your brush into Liquin before adding paint for smooth application.
  • Keep your initial sketch very thin to avoid it showing through final layers.
  • Emphasize main subjects by keeping background elements subdued.
  • Ensure overlapping shapes bring the truck forward in the composition.
  • Avoid placing major construction lines in the center to maintain balance.
  • Use soft edges for shadows in areas with less direct light.
  • Invest in high-quality cadmium colors for vibrant and strong hues.
  • Prepare your canvas by staining it to eliminate the white surface.