Step-by-step painting guide

The Dancing Pine

A step-by-step painting guide by Richard Robinson

In this chapter, we'll explore the captivating scene of 'The Dancing Pine' at Lake Ohau, a subject that offers a delightful challenge and a rewarding experience for any painter. This lesson is designed to guide you through creating a harmonious painting that feels united, not just through color, but through the repetition of shapes that echo the swishy, dynamic form of the tree. You'll learn how to manipulate your palette for ease of use, ensuring each color has the same consistency for smoother application and mixing. As we paint, we'll delve into capturing the unique character of each element, from the expressive branches of the pine to the majestic mountains, which I've artistically relocated to enhance the composition. By adjusting lighting and shadow, you'll discover how to direct the viewer's attention and bring your painting to life. With just five steps, I'll lead you through this process, helping you add those crucial finishing touches that can elevate your work. Embrace your artistic license, and let's create a piece that sings with unity and character.

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
"The Dancing Pine, Lake Ohau" 11x14" Oil on Board
"The Dancing Pine, Lake Ohau" 11x14" Oil on Board

Step 2Materials and Surface Preparation

Gather Your Materials

Use titanium white, cadmium yellow light, yellow ochre, cad red medium, quinacridone violet, and ultramarine blue for your palette. Choose walnut oil as your painting medium and Gamsol as a paint thinner.

Select Your Brushes

Opt for synthetic brushes, specifically long flats in sizes 12 and 10, a filbert, a shorter long flat, and a little signing brush. Synthetic brushes provide smoother brushstrokes and are less likely to scrape paint off the board.

Prepare Your Painting Surface

Use a 12 by 14 inch MDF board coated with a couple of coats of acrylic primer, or choose any size you prefer. Alternatively, canvas or canvas board can be used if you prefer a different texture.

Apply Initial Coat

Cover the surface with a very light coat of yellow ochre using a brush dipped in Gamsol. Smooth it down with a lint-free rag. This coat will dry in about 15 minutes as the thinners evaporate quickly.

Summary & key takeaways

Embark on your painting journey by preparing your materials and surface with care. Begin by ensuring your paints have the right viscosity using walnut oil for adjustments, and prepare your canvas with a light coat of yellow ochre. Sketch your composition with ultramarine, focusing on dynamic shapes and the unique character of the tree to set the stage for your painting.

As you progress, pay attention to the balance and movement within your composition. Use vibrant colors and dynamic shapes to create depth and interest, and carefully position elements like the red cabin to draw the viewer's eye. Block in the big shapes to establish the foundation, and use atmospheric perspective to create a sense of distance and depth in your mountains.

In the final stages, refine your details and focus on light and shadow to bring your painting to life. Use a limited palette to maintain color harmony, and apply your brushstrokes with intention to create texture and interest. Soften edges where needed to guide the viewer's eye, and add finishing touches to highlight the tree as the focal point of your lively and dynamic composition.

Points to remember
  • Use walnut oil to adjust paint viscosity without yellowing.
  • Synthetic brushes provide smoother strokes and less paint scraping.
  • Exaggerate tree features to emphasize its unique character.
  • Place the red cabin slightly off-center for a warm spot of interest.
  • Vary the size and direction of diagonal shapes for dynamism.
  • Use a size 12 brush to efficiently cover large areas with the darkest darks.
  • Reload your brush frequently to maintain color purity and prevent muddiness.
  • Soften the mountain edge near the tree to make it stand out as the focal point.