Step-by-step painting guide

Mediterranean Harbour

A step-by-step painting guide by Richard Robinson

Learn to paint stunning mediterranean harbour scenes. Follow me step by step as I show you the techniques I use to paint this impressionistic harbour scene. Raising the overall colour vibrancy, glowing light, transparent water and impressionistic brushwork are all demonstrated in the video. Enjoy!

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
"Mediterranean Harbour" 11x13" Oil on Canvas by Richard Robinson.
"Mediterranean Harbour" 11x13" Oil on Canvas by Richard Robinson.

Step 8Background Hills

What color should I mix for the background hill in the Mediterranean Harbour painting?

For the background hill, you should mix a bluish greenish color to create a dark tone. This color helps to establish the third layer of space in your painting. For more detailed guidance, you can explore the lesson further at https://mypaintingclub.com/lessons/77-Mediterranean-Harbour.

How can I make the background hill appear further back in the painting?

To make the background hill appear further back, you should make it slightly lighter and bluer than what you see in the reference photo. This technique helps to push the hill into the distance, enhancing the sense of depth in your painting. For additional tips, visit the lesson page at https://mypaintingclub.com/lessons/77-Mediterranean-Harbour.

Why did you include a peak at the end of the hill that isn't in the main photo?

I included a peak at the end of the hill because it creates a more interesting shape than just a round hill. Although it's not in the main photo, you can see this peak in other resource photos. This artistic choice adds visual interest to the composition. For more insights, check out the lesson at https://mypaintingclub.com/lessons/77-Mediterranean-Harbour.

Why is it important to make the background hill lighter and bluer?

Making the background hill lighter and bluer is important because it helps to push the hill further into the distance, creating a sense of depth. This technique ensures that the village and boats stand out more clearly in the foreground. For more painting techniques, visit https://mypaintingclub.com/lessons/77-Mediterranean-Harbour.

Summary & key takeaways

As we conclude our journey through the Mediterranean Harbour painting, I hope you've embraced the vibrant interplay of light and shadow that defines this scene. We began with a dynamic composition, carefully sketching the boats and village to set the stage for a lively depiction of this picturesque locale. By adjusting the horizon and experimenting with perspective, we created a balanced and engaging composition that draws the viewer into the scene.

Throughout the painting process, we focused on establishing strong dark values first, which provided a solid foundation for the vibrant colors to shine. The use of walnut oil and careful color mixing allowed us to achieve rich, deep shadows and glowing highlights. By paying attention to the way light bounces into shadow areas, we infused the painting with warmth and life, capturing the essence of a sunlit Mediterranean day.

I hope this lesson has encouraged you to explore color variation and the power of clean, vibrant hues. By observing and enhancing the colors in your reference, you can bring a unique energy to your work. Remember, each brushstroke is an opportunity to express your vision and bring your painting to life.

Points to remember
  • Start with a dynamic composition by adjusting the horizon line.
  • Establish dark values first to create a strong foundation.
  • Use walnut oil to enhance paint fluidity and blending.
  • Observe how light bounces into shadows to add color richness.
  • Mix grays using yellow ochre for a more neutral tone.
  • Clean your brush thoroughly when changing colors to avoid muddiness.
  • Enhance shadow colors beyond what is seen in photos for vibrancy.
  • Lighten and warm shadows to suggest light bouncing back into them.