Step-by-step painting guide

Tuscan Fields

A step-by-step painting guide by Richard Robinson

Paint this idylic scene in the footsteps of Monet. Follow me step by step as I show you the techniques I use to paint this charming Tuscan scene with reference to Monet’s painting of Poppy Fields from 1837. Enjoy!

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
Tuscan Fields - Closeup
Tuscan Fields - Closeup

Step 14Painting the Figure

Why is it important to study Manet's figure before painting your own?

Studying Manet's figure is important because it helps you understand the accuracy in the drawing and the detail in the coloring, which can be quite deceptive in its simplicity. By closely examining Manet's work, you can solve potential problems before committing to your final painting. For more insights, you can visit the lesson's sales page at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

What is the benefit of doing a small study on your palette before starting the final painting?

Doing a small study on your palette helps you work through any issues and refine your approach before committing to the final painting. This practice allows you to experiment with colors and techniques, ensuring a smoother process when you paint the final piece. You can learn more about this technique at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

What colors are used for the sunlit areas of the parasol?

For the sunlit areas of the parasol, yellow ochre and white are used to capture the effect of the sun coming through a creamy white parasol. This combination helps to create a warm, sunlit appearance. More details on color choices can be found at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

How does the perspective of the figure in this painting differ from Monet's?

In this painting, the perspective of the figure is slightly different from Monet's. We are looking up at the figure, allowing us to see the underside of the hat more clearly, whereas Monet's figure is viewed from a slightly higher angle. This change in perspective affects how shadows and light are depicted. For more on perspective, visit https://mypaintingclub.com/lessons/79-Tuscan-Fields.

What colors are used for the shadow side of the white dress?

A warm grey is used as the base for the shadow side of the white dress, reflecting the warm light bouncing up from the grasses. This choice helps integrate the figure into the landscape. You can explore more about color use in shadows at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

How is the light on the side of the dress painted?

The light on the side of the dress is painted using mainly white with a little bit of yellow, applied very thickly. This technique captures the brightness and warmth of the light hitting the dress. For further details on painting light, check out https://mypaintingclub.com/lessons/79-Tuscan-Fields.

What technique is used to make the figure blend into the grasses?

To make the figure blend into the grasses, the edge at the bottom of the dress is softened. This technique helps the figure dissolve into the background, creating a more cohesive composition. More blending techniques are discussed at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

What are some of the finishing details added to the figure?

Some of the finishing details include the handle of the parasol and a little bunch of flowers. These small touches add realism and completeness to the figure. For more on adding finishing details, visit https://mypaintingclub.com/lessons/79-Tuscan-Fields.

Summary & key takeaways

In this journey through the Tuscan Fields, I set out to capture the essence of a classic Tuscan landscape with its rolling hills, iconic poplar trees, and charming stone houses. By starting with a strong initial sketch and value study, I was able to lay a solid foundation for the painting. The goal was to create a scene that not only reflects the beauty of Tuscany but also tells a story through the addition of figures and pathways, inspired by the works of Monet.

Throughout the process, I emphasized the importance of planning and preparation, from the initial sketch to digital adjustments. By experimenting with exposure and color modifications, I aimed to evoke different moods and atmospheres in the painting. The use of water-mixable oils and specific brushes allowed for a smooth and detailed execution, while the palette knife added texture and interest.

As we conclude this chapter, I hope you take away the importance of value studies, the power of digital tools in planning, and the joy of experimenting with colors and textures. Remember, each painting is a journey, and with each step, you have the opportunity to learn and grow as an artist.

Points to remember
  • Start with a strong value study to guide your composition.
  • Use digital tools to experiment with exposure and color adjustments.
  • Incorporate figures and pathways to add narrative interest.
  • Choose the right canvas and materials for the desired effect.
  • Mix darks with blue, red, and yellow ochre for depth.
  • Use walnut oil to thin paint and enhance flow.
  • Keep brushes clean to maintain vibrant colors.
  • Experiment with palette knives for texture.