Step-by-step painting guide

Tuscan Fields

A step-by-step painting guide by Richard Robinson

Paint this idylic scene in the footsteps of Monet. Follow me step by step as I show you the techniques I use to paint this charming Tuscan scene with reference to Monet’s painting of Poppy Fields from 1837. Enjoy!

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
Tuscan Fields - Closeup
Tuscan Fields - Closeup

Step 5Initial Sketch on Canvas

What materials does Richard use for the initial sketch on canvas?

Richard uses a big brush, red and blue paint mixed together, and lots of walnut oil for the initial sketch on the canvas. This combination helps in laying down the big shapes effectively. For more detailed guidance on materials and techniques, you can visit the sales page at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

Why is it important to have done design work before starting the initial sketch?

Having done the design work in thumbnail sketches and a grayscale study means you don't have to worry overly about the drawing at this point. The design is already sorted out, so you just need to copy what you've already done in the grayscale study. This preparation allows for a more confident and efficient sketching process. For further insights into the preparation process, check out the sales page at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

How does Richard approach sketching the big shapes on the canvas?

Richard approaches sketching the big shapes by using a big brush and a mixture of red and blue paint with lots of walnut oil. This method allows him to quickly and effectively lay in the big shapes on the canvas. To explore more about this technique, you can visit the sales page at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

Summary & key takeaways

In this journey through the Tuscan Fields, I set out to capture the essence of a classic Tuscan landscape with its rolling hills, iconic poplar trees, and charming stone houses. By starting with a strong initial sketch and value study, I was able to lay a solid foundation for the painting. The goal was to create a scene that not only reflects the beauty of Tuscany but also tells a story through the addition of figures and pathways, inspired by the works of Monet.

Throughout the process, I emphasized the importance of planning and preparation, from the initial sketch to digital adjustments. By experimenting with exposure and color modifications, I aimed to evoke different moods and atmospheres in the painting. The use of water-mixable oils and specific brushes allowed for a smooth and detailed execution, while the palette knife added texture and interest.

As we conclude this chapter, I hope you take away the importance of value studies, the power of digital tools in planning, and the joy of experimenting with colors and textures. Remember, each painting is a journey, and with each step, you have the opportunity to learn and grow as an artist.

Points to remember
  • Start with a strong value study to guide your composition.
  • Use digital tools to experiment with exposure and color adjustments.
  • Incorporate figures and pathways to add narrative interest.
  • Choose the right canvas and materials for the desired effect.
  • Mix darks with blue, red, and yellow ochre for depth.
  • Use walnut oil to thin paint and enhance flow.
  • Keep brushes clean to maintain vibrant colors.
  • Experiment with palette knives for texture.