Step-by-step painting guide

Tuscan Fields

A step-by-step painting guide by Richard Robinson

Paint this idylic scene in the footsteps of Monet. Follow me step by step as I show you the techniques I use to paint this charming Tuscan scene with reference to Monet’s painting of Poppy Fields from 1837. Enjoy!

This guide accompanies the full video lesson. The lesson includes the complete narrated video, the printable PDF chapter, and personalised critique support.

See the full lesson
Tuscan Fields - Closeup
Tuscan Fields - Closeup

Step 6Blocking in Dark Areas

What colors do you use to mix the darkest dark for blocking in?

To mix the darkest dark for blocking in, I use a combination of blue, red, and yellow ochre. This creates a really dark mixture, which is essential for establishing the base of the painting. You can learn more about mixing colors effectively at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

Why do you add walnut oil to the paint mixture?

I add walnut oil to the paint mixture to make it nice and thin, which helps the paint cover the canvas smoothly. This technique ensures that the paint is just thick enough to cover the canvas without being too heavy. For more tips on using mediums like walnut oil, visit https://mypaintingclub.com/lessons/79-Tuscan-Fields.

How do you approach blocking in the background area?

When blocking in the background area, I use nice big strokes and don't worry too much about detail. The focus is on indicating the main shapes, like the poplar trees, rather than getting caught up in specifics. For more on blocking in techniques, check out https://mypaintingclub.com/lessons/79-Tuscan-Fields.

How do you modify the color as you move to the right of the painting?

As I move to the right of the painting, I modify the color by adding a little bit of blue. This helps to create variation and suggests that the land is further away, taking on more of the bluish atmospheric color. You can explore more about color modification at https://mypaintingclub.com/lessons/79-Tuscan-Fields.

Why do you lighten the color on the left side of the painting?

I lighten the color on the left side of the painting because it is closer to the light source. By adding warmer colors like red and yellow, I begin to create the effect of a light haze or glow, suggesting light filling that space. For further insights into creating light effects, visit https://mypaintingclub.com/lessons/79-Tuscan-Fields.

Summary & key takeaways

In this journey through the Tuscan Fields, I set out to capture the essence of a classic Tuscan landscape with its rolling hills, iconic poplar trees, and charming stone houses. By starting with a strong initial sketch and value study, I was able to lay a solid foundation for the painting. The goal was to create a scene that not only reflects the beauty of Tuscany but also tells a story through the addition of figures and pathways, inspired by the works of Monet.

Throughout the process, I emphasized the importance of planning and preparation, from the initial sketch to digital adjustments. By experimenting with exposure and color modifications, I aimed to evoke different moods and atmospheres in the painting. The use of water-mixable oils and specific brushes allowed for a smooth and detailed execution, while the palette knife added texture and interest.

As we conclude this chapter, I hope you take away the importance of value studies, the power of digital tools in planning, and the joy of experimenting with colors and textures. Remember, each painting is a journey, and with each step, you have the opportunity to learn and grow as an artist.

Points to remember
  • Start with a strong value study to guide your composition.
  • Use digital tools to experiment with exposure and color adjustments.
  • Incorporate figures and pathways to add narrative interest.
  • Choose the right canvas and materials for the desired effect.
  • Mix darks with blue, red, and yellow ochre for depth.
  • Use walnut oil to thin paint and enhance flow.
  • Keep brushes clean to maintain vibrant colors.
  • Experiment with palette knives for texture.