- Designing for success
- Painting translucent water
- Simplifying complex detail
- The romantic diffused light effect
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with Richard Robinson
6 Great Mountain Painting Lessons in one Bundle!
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Richard is a talented full time artist, who loves painting and teaching.

Hi I’m Richard. I’ve been painting my whole life and back in 2001 I traded my graphic design career for the humble life of a full time artist. I love painting, and as it turns out, I love teaching too.
Nowadays I balance my life between parenting, painting, surfing, travelling and teaching. My work is regularly featured in international art magazines, in galleries in New Zealand and America, on TV and in my Mum’s house.
I give outdoor painting workshops in interesting spots around this beautiful planet of ours and love encouraging people to paint. Two of my favourite artists are John Singer Sargent and Joaquín Sorolla.
My painting website: www.nzpainter.com
I’d love to be your new teacher.
2026 08 20 - Paradise
Artist: Tom Gysel
Mountain path practice
Artist: Chris Huang
Paradise Valley 10 x 12 inch. Acrylic
Artist: Robert Mitchener
Day 19: Rees Valley, in acrylics, by Eric Hillmer
Artist: Eric Hillmer
Day 18: Chinaman's Bluff, Workshop 2, watercolour by Eric Hillmer
Artist: Eric Hillmer
Rees Valley "12 x 16" Oil on canvas. Re-worked my original. I like the foreground better. Patti Zlotocha
Artist: Patricia Zlotocha
Overview
Artist: Brian Caesar
Chinaman's Bluff 14X18" oil on oil pad
Artist: Laura Searle
Painting paradise #33
Hey Mark, great painting. Solid drawing, interesting brushwork and strong colour. I'd just suggest that you lighten and blue the colours more into the distant mountains, adding more depth. Also you could do with practicing the shapes of the snow in shadow and light. As can I. Have a good look at how John Crump does that. Copy a few of them and then do the same with a few photos. It's trickier than it looks of course to translate all the intricacies of a snow clad mountain into a simplified version on canvas. By focusing on those for a while you'll get the hang of it and figure out your own visual shorthand for it.
Second go, if at first you don't succeed, try, try again. At least I hope I succeeded this tine🤔
Hi Nancy, good effort on this painting. Lots of work gone in I can see. Overall the colour works well, and there are sections of nice painterly brushwork and the drawing is not half bad. Beware leaving those dark contrasty lines in the mountains that attract the eye. Ask yourself why would they be darker than any other shadow on that mountain. They wouldn't. Also ask yourself why would shadows in the distant mountains be darker than shadows in the foreground hills. Again, they wouldn't. Those in the foreground need to be darkened. Similarly, the shadow sides of the sheep need to be darker for a better sense of light and form. Look also at your tree which seems too symmetrical and pruned for a natural specimen. Making it less regular gives it more character and interest. Happy painting!
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